THE PRESS - excerpts

". . . The work had the honor of inaugurating the Festival ... What holds it together is a conductive thread, therefore it does not need a lineal story, thus allowing the audience to deal with its own logic. The movement and the use of the space are magic links for this interaction. Each spectator's personal reading will be different and the work motivates many opposing sensations; to digest them will be part of the pleasure . . . ."

Lima – El Peruano
March 8, 1998

" . . . This formidable Peruvian company has moved deeply into the heart of the audience of Aruba, with impressive images, transcending all frontiers . . . ."

Oranjestad–Amigoe
Floor Huygen
June 12, 1999

" . . . Double skill: Achievement of a work that can be easily understood, for its continuity, the attractiveness and solvence of the movements of the interpreters, as well as for the interesting development of the images.... A colorful road, a promising rhythm. Its structure, based on vital elements, keeps the interest awake... a continuous sway between the mystic matters and the daily matters . . . ."

Lima–El Comercio
Lichi Garland
October 10, 1999

" . . . The choreographer faces an unusual individual whose demistification must have been a complex process that involves, like it is habitual in Yvonne's works, other disciplines, until reaching the final transformation into a work of great lyrical beauty . . . ."

Lima–The Peruvian
Francisco Zeballos
June 23, 2000

" . . . Our dreams sometimes take us far away, on mysterious roads. So does artistic creation. How often our hearts remain closed to some texts or topics, because of prejudices that we don't not even recognize as such? ... It is to be mentioned that this work takes us from the most terrifying darkness to the immense brightness that doesn't know limits . . . ."

Mexico - Alfredo Camacho Olivares
March 22, 2001

" . . . This work, under the masterly, creative and exemplary direction of Yvonne von Mollendorff, is superb and magnificent as she puts at stake the dramatic essence, joined to the scenic aesthetics... the audience was deeply moved, attentive and expectant . . . ."

Mexico City - Notimex
Anaraceli Alvarado
March 26, 2001

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